The ancient Greeks banned it, but we’re playing it anyway! If you're in New York City, COME OUT AND PLAY...
2000 years ago, the ancient Greeks played a game they called simply "The Labyrinth." Until recently, little has been known about the mysterious sport - only that it required the athletes to be blindfolded, and that eventually it was banned from their Olympics games. Now, the rules for the lancient abyrinth have been rediscovered - and for the first time in modern history, the world will learn to play the Labyrinth again.
On Saturday June 7, 2008, come learn the sport and participate in a labyrinth race - or just come to watch, as The Lost Sport of Olympia is rediscovered in New York City.
Come early at 4:30 PM if you want to learn the history of the lost sport and pick up super sneaky game strategies! Meet at the fountain at the Columbus Circle Entrance to Central Park. You must arrive by 5 PM to come with us! (If you’re late, we’ll leave a clue chalked on the pavement to help you find us...) Play the game 5-6 PM at a secret hidden location in Central Park.
The top 5 reasons why you should come play The Lost Sport:
1) It’s really easy to learn the lost sport. All it requires is a blindfold (which we provide!), trust, courage, and collaboration with the other 100 people who show up to play.
2) It’s a big, global secret. You’ll be training in NYC while other alternate reality Olympians are training in Tokyo, Madrid, London, San Francisco, Sao Paolo, Buenos Aires, Los Angeles, Wellington, and more. We’ll get to compare our cities’ best times against theirs, and compete to create the fastest labyrinths.
3) You’ll be really good at the lost sport, practically a world champion. It hasn’t been played in over 2000 years, so we are setting all kinds of world records! And think about it. When else are you going to get to compete against, and maybe even BECOME, the world’s best of a sport?
4) For the NYC event, we’re playing under the bridges in Central Park – it’s super atmospheric and fun, plus you get a bonus perspective-changing experience: In the future, whenever you pass the bridges, you’ll think of them as a super secret athletic training space where you competed … fun, fun, fun!!!
5) There’s a neat online backstory/urban legend about the lost sport that connects it with SAVING THE WORLDS. (Yes, worlds. The backstory is a geeky, quantum multiverse adventure.) You can learn the legend, and you can follow the larger online adventure/alternate reality game.
What are you waiting for? Invite friends and RSVP:
Facebook
Upcoming.org
Come Out and Play Festival website
Showing posts with label coap2008 come out and play alternate reality gaming. Show all posts
Showing posts with label coap2008 come out and play alternate reality gaming. Show all posts
Tuesday, May 20, 2008
Sunday, May 18, 2008
The dark side of coming out to play
I was saddened today to read about a real-world game gone wrong - a Facebook driven "flash mob" watergun fight that destroyed the Millennium Square garden in which it was played. As has been widely reported in UK press, plants were trampled, turf ripped up, fountain mechanics broken, and water features emptied. A documentary video of the event was posted on Youtube before participants and organizers realized how much damage had been done.
It's not that the organizer of this event should be blamed for what happened; they ran the same event a year earlier with no problems. (You can watch a video of the 2007 event.) It was "much more civilized", according to attendees of both events. But I think with virtually no instructions for what to do when you show up, and no win condition for the fight, it's easy to see how it could get out of control.
Some people might argue that concern over a single flash mob game gone bad is ridiculous when there have been thousands with no adverse effects. And that's a really good point. But not to learn anything from this would be stupid. This case points to some important potentials of public games, especially "games" that are more free-for-alls than clearly designed experiences. And we would be smart to consider these potentials, before destructive games become a less rare occurrence. Personally, as a game designer, I'm really inspired to think about how to invent a mass water fight that would be structured enough to engage 300 players in a less chaotic but still exhilarating experience. This is exactly the kind of challenge that gave me the idea a couple of years ago for Cruel 2 B Kind. That game was a direct counter-design to what I think is the completely non-benevolent game design of commercial, week-long, water-gun Assassin games.
Most importantly, I think, the Leeds story is a good reminder of how incredibly powerful play is, and how much momentum a live game can take on, and how hard it can be to contain and benevolently direct that momentum if you don't have a well-thought-out game and event design in place. It is really important for people experimenting with public play -- especially mass public place -- to be ethical game designers, to create play but to do no harm. You can't just think of something fun and choose a public location. To have a benevolent impact on the local environment, the players, and the bystanders, you have to be able to anticipate within a reasonable degree of error how many people will show up, what they're likely to do when the thrill of mass play infects the crowd, and who or what might be in the vicinity and caught in the play crossfire.
I'm all for staging games in public and semi-public spaces where people have a right to congregate and play; I'm even for pushing the envelope and playing in spaces that have a cultural norm against play. But the reason why I love game design is that it allows you to create a safe structure for otherwise chaotic, ecstatic activity. That's the game designer's job -- to put up boundaries that protect the players from harm, or from doing harm.
I'm positive that the games at the Come Out and Play Festival June 6-8, 2008 will be designed with benevolent impact AND awesome crazy fun in mind, and I can't wait! (Be sure to sign up for The Lost Sport of Olympia while you're at it -- that's the game event I'm organizing.)
It's not that the organizer of this event should be blamed for what happened; they ran the same event a year earlier with no problems. (You can watch a video of the 2007 event.) It was "much more civilized", according to attendees of both events. But I think with virtually no instructions for what to do when you show up, and no win condition for the fight, it's easy to see how it could get out of control.
Some people might argue that concern over a single flash mob game gone bad is ridiculous when there have been thousands with no adverse effects. And that's a really good point. But not to learn anything from this would be stupid. This case points to some important potentials of public games, especially "games" that are more free-for-alls than clearly designed experiences. And we would be smart to consider these potentials, before destructive games become a less rare occurrence. Personally, as a game designer, I'm really inspired to think about how to invent a mass water fight that would be structured enough to engage 300 players in a less chaotic but still exhilarating experience. This is exactly the kind of challenge that gave me the idea a couple of years ago for Cruel 2 B Kind. That game was a direct counter-design to what I think is the completely non-benevolent game design of commercial, week-long, water-gun Assassin games.
Most importantly, I think, the Leeds story is a good reminder of how incredibly powerful play is, and how much momentum a live game can take on, and how hard it can be to contain and benevolently direct that momentum if you don't have a well-thought-out game and event design in place. It is really important for people experimenting with public play -- especially mass public place -- to be ethical game designers, to create play but to do no harm. You can't just think of something fun and choose a public location. To have a benevolent impact on the local environment, the players, and the bystanders, you have to be able to anticipate within a reasonable degree of error how many people will show up, what they're likely to do when the thrill of mass play infects the crowd, and who or what might be in the vicinity and caught in the play crossfire.
I'm all for staging games in public and semi-public spaces where people have a right to congregate and play; I'm even for pushing the envelope and playing in spaces that have a cultural norm against play. But the reason why I love game design is that it allows you to create a safe structure for otherwise chaotic, ecstatic activity. That's the game designer's job -- to put up boundaries that protect the players from harm, or from doing harm.
I'm positive that the games at the Come Out and Play Festival June 6-8, 2008 will be designed with benevolent impact AND awesome crazy fun in mind, and I can't wait! (Be sure to sign up for The Lost Sport of Olympia while you're at it -- that's the game event I'm organizing.)
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