Tuesday, March 28, 2006

omg I fractured my own ribs

Originally uploaded by Avant Game.

After 24 hours of feeling like the left side of my chest had turned into a painful stone weighing a billion pounds and also with magic stabbing functionality I finally made an appointment at the university hospital. There I discovered that through my violent coughing fits of late I have self-inflicted two cracked ribs. Plus enough severe muscle strain to make me want to bisect myself (the right side of my body feels fine). Codeine makes me throw up so all I get is ibuprofen, lots of it. And maybe some time off from working to watch Veronica Mars DVDs in bed.

Update: aaah it is 5:20 AM, am still awake, can't sleep. Matters made worse: Kiyash came down tonight with the thing that made me hack my own ribs, so he can't sleep either, all the mucus is making him reall sick to his stomach. So here we two miserable sickies are finall giving up on trying to sleep and optimistically declaring tomorrow a Sleep Day, whenever we finally manage to get to it. And now for the 8th Veronica Mars episode of the evening...

Saturday, March 25, 2006

The Game Studies Download

Originally uploaded by Avant Game.

I took this photo on my cell phone from the stage at the Game Studies Download Lecture, which I delivered with Ian Bogost and Mia Consalvo at the Game Developers Conference yesterday. The audience, which was still filling up when I took this photo, exceeded our size expectations by quite a bit. We'd made 50 copies of handouts; we had standing room only in a lecture hall with seating capacity of 400. Go Game Studies!

You can download the slides and our handouts on my Avant Game GDC page.

Ian and Mia share their thoughts on how the panel went, and some lovely live blogging occurred as well.

My goal is to see the Game Studies Download become a tradition at GDC. Hope to be back in 2007 to deliver more top research findings!

Thursday, March 09, 2006

I'm a Lucky girl

Originally uploaded by Avant Game.
I get to play high-tech fashionista in the new April issue of Lucky magazine. There's a two page spread called 'How I'm Wired' that features me talking about my favorite tech toys. Anyone who enjoyed playing Tombstone Hold 'Em will recognize the wireless the FM transmitter that was used to broadcast messages-from-beyond from a certain other Lucky...

Wednesday, March 08, 2006

my so-called ubiquitous gaming

One of the challenges I've faced while working on my dissertation is how to identify and classify the particular kinds of play and games that I want to write about. It would be easy to claim "pervasive games" or "alternate reality games" as my topic, but the problem is I'm really only interested in a few pervasive games and a few alternate reality games... plus a few other things, like flash mobs, that don't fit in either category. The other problem is that I really believe those few pervasive games, and few ARGs, and few other things, actually belong together and not (at least not primarily) in the categories in which they are usually classified.

The portion of my dissertation that I am now working on is the section where I stake out what exactly I intend to study and what makes it a unified set of things. I have come to very much like the term ubiquitous gaming, for the purposes of my dissertation, although I fully hope and expect that the industry for this kind of experience will come up with a much better name. (Anyone who has heard Bruce Sterling talk about the dangers of settling on a name too soon, especially in the field of ubiquitous computing, knows what I mean here.) The reason why I like ubiquitous gaming over pervasive gaming is that I believe the original master vision statements for ubicomp are actually in fact extremely evocative game design manifestos. (I bet you didn't know that!) At least, they can be read that way, and we can find evidence of such designed game experiences in the group of objects I plan to study. Also, most people in the field who ever used the phrase "ubiquitous gaming" to describe the stuff I don't want to look at (augmented reality, mixed reality, performance games-slash-tech demos, etc.) have abandoned it in favor of "pervasive gaming"... so I can try reworking the phrase without having to fight everyone else who is using it in a standard way.

So, I have been sitting here waiting for American Idol to come on and relieve my brain from thinking so hard for a little while, and making idle notes to myself about what defining qualities these games will take from ubicomp into ubigaming. As it turns out, these idle notes actually say exactly what I need to say, and I now am starting to feel very good about having defined the thing I am writing about in This Might Be a Game: Ubiquitous Play and Performance at the Turn of the 21st Century. I think, as it turns out, I am writing about a group of things that share a design philosophy, if not a genre, or platform, or audience.

Here are those idle notes.

The characteristics of ubiquitous gaming are as follows:

-It is a designed experience.
-It is embedded at least partially in everyday contexts and/or environments.
-It has a significant physical and material component.
-It is a distributed experience: distributed across multiple media, multiple platforms, multiple spaces.
-Distributed elements are not clearly marked as part of the experience. Thus active investigation of, and live interaction with, both in-game and out-of-game media, objects, people and spaces will be a significant component of the experience.
-It establishes a network of players who are in the know; it will also involve or engage others who are in the dark.
-It has the effect of sensitizing participants to affordances, real or imagined. That is to say, it increases the perception of opportunities for interaction.
-It has the effect of making things seem connected, or at least the choice to believe that things are connected seem quite plausible.
-It is an engine for both pattern recognition and pattern misrecognition. Each of which is equally rewarded, and rewarding, in the context of the experience.
-It make surfaces less convincing. Underlying structure are what matters.
-It creates a community capable of defining alternate modes of engaging reality.